Shoal Bay Country Club

I wonder how many people who have sat down for a beer at the Shoal Bay Country Club (SBCC) have at some stage in their lives thumbed through the pages of The History of the Peloponnesian Wars by Thucydides? Or immersed themselves in the history of the Holocaust? Which patrons love to spend a rainy afternoon snuggled up reading a Peter Fitzsimons novel, or sit down on a Friday night to watch a documentary on Pompeii? Quite a fair few, I’m sure. In the same breath, there must also be many who wouldn’t fancy any of these options, occupied instead with, say, something sciencey or sporty or arty. And that’s fair enough! Everyone is different. Or maybe, just maybe, is the way in which we traditionally tell history inclined to appeal to a particular audience, thereby rendering itself inaccessible to the rest of society? 

Conducting an investigation into the history of the Shoal Bay Country Club got me thinking about the correlation between how we write history and who engages with history. When I was sorting through the archives of the venue, I was intrigued to learn of the role of the SBCC in WWII, and find out about the fire that partially destroyed the building in the 1950s. When conducting further research, I immersed myself in the Aboriginal history of the area and came across extensive newspaper coverage of a missing SBCC guest in 1949, who was presumed dead. My first instinct was to collate all of these pieces into one streamlined historical account of the venue. I acted on this and completed a 12 page ‘History of the SBCC’ that includes all the photos, drawings, cartoons and anecdotes I collected from both the venue and further research. Yet whilst this was a step in the right direction, it didn’t feel right that the history of a pub was exclusively located in a written document, accessible primarily to the few who actively attempted to seek it out. What format of history was most appealing to a crowd of beer drinking, holiday going patrons? As I pondered this question whilst sipping on my drink at the public bar of the SBCC, the answer lay right underneath my Lychee Lane cocktail… 

The beer coaster originated from somewhere in Germany in the 1880s, and was formally manufactured by the print shop Friedrich Horn. For centuries, coasters have absorbed condensation, prevented spillages and at one point or another been the object on which a mobile number has hastily been written and handed to an unsuspecting target. Scattered across pub tables and used by nearly everyone, this object offers the perfect canvas upon which to incorporate small, bite sized pieces of history to beer drinking patrons about the venue they sit in.

SBCC during WWII design: Front of coaster

To action this plan, I drafted five different designs. Each of them represents a ‘moment’ in the history of the SBCC. On one side is a date and few sentence summary about the particular era, and on the reverse is a collage of photos from both that period as well as others. If eventually implemented, I believe the coasters could kickstart conversations, inform patrons and engage a certain audience in the history of the venue who may not have otherwise had any means of doing so. When reopening the venue in 2018, new owner Andrew Lazarus stated that “we wanted to reignite this passion with the refurb and bring something fresh and exciting to the Port Stephens area whilst ensuring the hotel’s history has been preserved.” Achieving the desired balance between the past, the present and the future requires innovative approaches to the telling of history, and I hope that I have in some part contributed to the objective.

SBCC during WWII design: Back of coaster

‘History beyond the classroom’ has been a whirlwind of managing expectations, tackling unanticipated obstacles and adapting to change. My project is far from over, but my appreciation for the weird and wonderful world of history and history-making has never been greater. I am excited to continue to watch my project with the SBCC unfold and look forward to future historical endeavours of this nature.

Cheers!

The Aboriginal Medical Service: A Centre for Ongoing Indigenous Activism

This semester, I have worked alongside the Aboriginal Medical Service (AMS) in Redfern to develop a webpage that shares the organisation’s history as a centre of activism for both equal access to healthcare and Indigenous rights. The project emerged as a direct consequence of the COVID-19 pandemic and the impact that this had on the organisation in reducing its face to face operating hours and increasing the community demand for medical assistance. Therefore, the AMS’ priorities were heavily funnelled towards responding to the coronavirus, meaning that its less pertinent administrative projects were understandably side-lined. The idea of creating an easy-to-navigate and informative webpage that would share the organisation’s history with the Australian public therefore emerged in an effort to alleviate the AMS from the task of updating its website. I also thought that creating a space that shares Indigenous voices and centres the organisation’s longstanding concern with Aboriginal healthcare and equality would contribute towards building community trust in a period of considerable isolation and uncertainty.

The Aboriginal Medical Service, Redfern (2004)

To put it bluntly, my project aims to challenge the mainstream Australian conservative mantra that assumes “whiteness” as the default way of living. For instance, our national curriculum continues to be heavily influenced by European history and Western literature. Our federal government’s bushfire management plans are centred around Eurocentric understandings of the land rather than Indigenous knowledge. Our healthcare system continues to be obsessed with hypothetical deduction rather than acknowledging the role of spirituality and validity of bush medicine. Therefore, it is clear that our colonial past continues to haunt many of the powerful institutions in Australian contemporary society, continuing to centre “whiteness” whilst othering Aboriginal culture. My webpage counters this narrative by demonstrating how embracing traditional Indigenous constructs of health has played a major role in reducing Aboriginal mortality rates and supports “closing the gap” in healthcare, employment and education between Indigenous and non-Indigenous Australians.

UNSW Newspaper Tharunka Article highlighting the AMS’ responsibilities as more than just a centre for healthcare, yet also a centre advocating for Indigenous equality in housing, employment and challenging racial bias.

Whilst my project is not yet complete, the journey so far has been one of ups and downs. What has been very motivating throughout the process has been learning about the widespread impact and significance that a single, small-scale local organisation can have. Moreover, communicating with those currently central to the AMS’ operation and hearing their personal stories about engaging with Redfern’s local community and the differences they made in individual’s lives was extremely uplifting. What excites me, is that the webpage I produce will be the only location that exists to date where all of this information about the history of Indigenous healthcare, the AMS and the quest for Indigenous equality is collated in a comprehensive and interactive media. Further, making this a public webpage means that it will have far greater accessibility than previous journal articles, which often require institutional access and subscriptions, or local exhibitions, which are inaccessible to those who live out of the area. In terms of the challenges, I am still struggling with the development of this webpage, especially its aesthetics and the construction of more technically challenging aspects such as a timeline. I am hoping that over the coming weeks, I will be able to improve on this to shift my project from an academic text to a more engaging way of learning.

Beyond this unit, I hope to remain in touch with the Aboriginal Medical Service. As a neuroscience major and someone passionate about equal access to healthcare, I am hoping that I sustain this relationship with the organisation and will be able to volunteer as a member of the medical staff once I complete my degree. Throughout the semester, I have been consistently amazed by the social progress that the AMS has pioneered and am excited by the prospect that my webpage will be a space that celebrates these achievements.

Telling Granny Peg’s Story

This semester I completed an oral history on my grandmother, Peg Merriman, for the Boorowa Historical Society and Museum. While sharing Sharon’s (the society secretary) birthday cake during our morning tea break when I first visited the museum, we began talking about my grandmother, Peg Merriman, and Sharon excitedly asked me to do an oral history on her as one of Boorowa’s matriarchs. Currently, the Boorowa museum have no or very little oral history resources. Their main business comes from their family history research service which allows the non-profit museum to keep running, especially during the Covid-19 lockdown. My oral history project will add to their local family history resources and hopefully enrich aspects of their collection by providing a local memory on different topics.

Peg feeding her neighbour’s cat during our first interview.

Initially, I was apprehensive to complete this task and unsure of my ability to do justice to my grandma’s story. However, after hearing from Emma in our week 9 seminar, going through the readings for that week and looking at other oral histories, I gained confidence in my project and became quite excited. Emma’s emphasis on creating a comfortable environment and allowing the conversation to flow stayed with me throughout my interviews which I completed from the comfort of Peg’s sunny, front veranda. I arranged two trips home during the semester to complete the interviews with Peg. In the first interview, I wanted to record stories from her childhood, growing up on a property in rural Queensland, up until she married my late grandfather, Bruce Merriman, and moved to Boorowa to raise her children. In the second interview, I asked more about her memories of Boorowa, such as sport, changing businesses and the town show. I was conscious of not tiring her out and we occasionally took breaks, once when we were interrupted by her neighbour’s cat and stopped to feed it and hang out the washing.

Sharon stated in an email to me that “the Merriman’s are a very big part of our town and therefore their history is important to us.” Family history has always been important to me and it felt empowering to be able to capture Peg’s story as a member of the family. Our relationship as granddaughter and grandmother was significant for this project as it allowed me to capture stories that she maybe wouldn’t have told to someone else. It also meant that I had preconceived knowledge about the aspects of her life that I wanted to ask about, but I never could have anticipated how much I would learn about my grandmother. Through hearing her story in such detail, I developed a clearer understanding about the experiences that shaped her into the person she is today.

Peg and Bruce on their wedding day.
Young Peg Merriman.

In recording Peg’s story, my oral history project gives value to her experiences and argues for the importance of remembering the past. I created a primary source through my project in drawing solely on Peg’s knowledge and memories. While transcribing the recorded interviews, a few themes became very apparent to me based on the stories that she often returned to or her particular memory of events, such as her friends around Boorowa, the mouth-organ-playing cowboy from her childhood who saved her life, and her family. Her personality and the values important to her are reflected in her stories which, at 97 years old, are more detailed and told with more flare than I ever could. By allowing her stories to be immortalised, my project represents the importance of Peg and her memory to our community. I hope that my oral history will encourage the production of more with other local identities in order to preserve their memories and enrich the proud history of Boorowa.

The Boorowa Museum and their local family history resources will benefit from this project and add to their collection on the Merriman family. The stories of Boorowa told in Peg’s interview will be useful to anyone wanting to know more about the experiences of locals at this time. This oral history will interest anyone keen to learn about Peg’s story, such as family members, locals from the Boorowa district or people connected to her through the sheep industry (as Peg married a merino stud farmer). I don’t expect a high level of engagement with my project, but I believe that those who do will engage deeply with it.

Sharon asked that I record the interviews and provide her with the audio as well as a written transcript. I decided to take this one step further and also create a podcast as a more interactive form of the project. The podcast is an edited and condensed version of the interviews that allowed me to curate the oral history and be creative in selecting the stories that I believed locals and family members would find most fascinating. My decision to do this was inspired by my love of interview podcasts such as ABC’s Conversations and the ability of podcasts to allow the listener to visualise the stories being told and connect with them in a unique way. I hope that my podcast will be a more accessible and interactive aspect of my project as the condensed length and simplified arrangement might be more enticing to those interested in the life of Peg but not willing to read through a large transcript.  

Peg and her youngest son George at her 90th Birthday Party in 2013.

Sharon has informed me that Peg’s oral history will be publicly available at the Boorowa Museum to anyone asking about the Merriman family and won’t be removed from the museum. This is important to me as it should be looked at within the context of Boorowa and an understanding of the Merriman family. I also aim to privately distribute the podcast among family members and her close friends so that they may learn something interesting and come to better understand my grandmother, Peg Merriman.

Exploration of local history in the Upper North Shore

This semester, I undertook two separate projects to assist the Hornsby Historical Society. Firstly, I wrote two 1500 word entries on the history of two of Sydney’s Upper North Shore suburbs – Beecroft and Cheltenham. This was part of a collaboration for a book on the local history of suburbs from the Hornsby shire. Secondly, I assisted in the society’s digitisation process by digitising severalaccession registers from the years 1994 – 2004 onto excel, as well as photographing artefacts for the register.

The entries on Beecroft and Cheltenham were strictly informative, with the aim of peaking interest and relevance to its readers. Nathan Tilbury, who invited me to work on the project, described it as a read which could be “completed easily over a morning cup of copy by interested locals”. These two entries argued towards the importance of local history by providing a quick overview of the development of local suburbs in an accessible way. I strived towards covering a range of local relevant topics, rather than focusing for too long on one aspect in order to capture the overview of the suburbs and made it as relevant as possible by providing present day evidence of locations and institutions discussed.

Nathan provided me with a sheet of possible topics to discuss. The guide mentioned institutions such as schools, sports clubs, churches and shopping centres as suggestions, all of which were included (where applicable) in my entries. I used secondary sources in order to gain an understanding of institutions and events, however also consulted primary sources (which I found in Hornsby library’s local archives) to reinforce important events. As the majority of the primary sources I used were newspaper clippings, they matched my writing style as they summarised important factors, rather than delving into a deeper analysis of the topic (as was done by some secondary sources). While books such as ‘Beecroft and Cheltenham: The Shaping of a Sydney Community to 1914’ by the Beecroft Cheltenham History Group were helpful for providing a consistent overview of information for Beecroft, I consulted a range of online sources such as the Hornsby Shire history page for information on Cheltenham. I also used images from the Hornsby Shire Recollect website, which provided me with visual information, which I thought would also be interesting for the readers.

This project is significant for local residents of the Hornsby Shire, as it will provide easy access to quick information about local suburbs, islands, national parks and landmarks. It will be useful and relevant to local residents, not just those with a background in literature or history, as it is descriptive rather than analytic, as well as quick and easy to read. The expected audience is made up of older residents who have lived locally for a number or years or have community involvement or interest. The format of the work – through short entries over a range of topics – will also effectively interest and capture the attention of the target audience.

I sent the entries to Nathan as a Word Document, and over the phone he explained to me that the work would be fact checked by an expert in those suburbs, and have the format edited to be consistent with the other suburbs by a co-writer of the book. The book is set to be published by the Hornsby Historical Society mid December 2020, and will be advertised at the local library, through Facebook and to local members of the society.

I also worked with Hornsby Historical Society representative Mari Metzke in assisting with the digitisation process for the museum accession register. Mari provided me with a USB containing scans of the accession register from the years 1994 – 2010, from which I managed to complete years 1994 – 2004. I additionally assisted in photographing some of the artefacts in the museum, which would later be included in the digital accession registers. In the provided scans, it was often difficult to interpret the handwritten component, either due to handwriting or a missing section in the scan (specifically in between the pages). I chose to be cautious when transferring and bolded any words I was unsure about so that Mari could double check my work. It will have a long term benefit for the Hornsby Historical Society, as existing data is much easier to find and organise in a digital format. I transferred the work from the scan of the register book, onto excel. From excel, Mari plans on transferring it onto a software which organises the societies accession registers.

Mari expressed her need for assistance with the digitisation process, and the volunteers at the society are often pressed for time. The work I have done on excel with be held privately by the society and will further be expanded upon as more accession registers are digitised. Due to time restraints, I have not been able to successfully finish all the accession registers which have been provided to me by Mari (the total amount exceeds the requirements of the Capstone Project).

Overall, the work done in this unit will be displayed both publicly (through the publication of the book) and privately (within the accession registers) and has benefitted the Hornsby Historical Society.

History Matters – Challenging the Biomedical Paradigm

Mainstream medical practices in Australia are largely based on hypothetical deduction, with healthcare professionals treating symptoms and diseases using drugs, radiation and surgery. Conventional medical advice is therefore heavily influenced by Western values. This starkly contrasts the traditional medical practises used by Indigenous cultures that instead, appreciate a balance between the physical and spiritual being, relying on traditional healers, bush rubs and naturopathic medicines.[1]

Data released in the Australian Bureau of Statistics March 2020 report, however, indicate that the health status of Aboriginal Australians was amongst the worst of any group in developed nations.[2] The report revealed a higher prevalence of ill health and disability and a reduced life expectancy across the Indigenous community. A proposed explanation for this is derived from the lack of synergy between Government funded health initiatives, largely based on Anglo culture, and Indigenous constructs of health. Therefore, re-shaping our healthcare system to include services considerate of Aboriginal health beliefs has the potential to be immensely effective.

Consequently, the Aboriginal Medical Service (AMS) Redfern was established in 1971, partly to overcome the neglect and racism systemically engrained throughout Australia’s mainstream health services. The organisation was the first Aboriginal community-controlled health service in Australia, initially basing itself as a shopfront in Regent Street before moving to land donated by the Sisters of Mercy on Turner Street.[3] The service initially relied on volunteer doctors, nurses, nuns and medical students, however, it is now serviced by numerous paid healthcare professionals, including dentists, mental health specialists and general practitioners.

The AMS, however, is tightly funded and has access to limited resources which have been stretched to their limits during the COVID-19 pandemic. Less crucial elements of the organisation, such as their community administrative efforts, have understandably suffered. This is most evident when navigating the service’s website, which lacks information about the AMS’ current goals and historical relevance. For my project, I would therefore like to create a web page that reflects the positivity and progressiveness of the AMS and their significant contribution to Redfern’s local Indigenous community. To capture this, I want to coalesce the organisation’s public history, demonstrated through the inclusion of timelines and infographics with their more personal impact, shown through oral history interviews and profiles on key figures such as Mum Shirl, the service’s first Welfare Officer. At the current stage, it has been relatively difficult to maintain a consistent line of communication with the organisation, however I am hopeful that as I continue to build my rapport, conversations will flow more naturally and enthusiastically.

References:

“Indigenous Health”. 2020. Australian Bureau of Statistics. https://www.abs.gov.au/ausstats/abs@.nsf/ViewContent?readform&view=productsbytopic&Action=Expand&Num=5.7.10.

“Our History”. 2020. Aboriginal Medical Service Cooperative. https://amsredfern.org.au/.

“Traditional Healing And Medicine – Cultural Ways”. 2019. Australian Indigenous Healthinfonet. https://healthinfonet.ecu.edu.au/learn/cultural-ways/traditional-healing-and-medicine/.

Foley, Gary. “Aboriginal Medical Service 1971-1991: Twenty Years of Community Service.” Aboriginal Medical Service Cooperative (1991): 1-12.


[1] “Traditional healing and medicine”, Australian Indigenous HealthInfoNet, 2019. <https://healthinfonet.ecu.edu.au/learn/cultural-ways/traditional-healing-and-medicine/>. Accessed 23 October 2020.

[2] “Indigenous Health”, Australian Bureau of Statistics, March 2020. <https://www.abs.gov.au/ausstats/abs@.nsf/ViewContent?readform&view=productsbytopic&Action=Expand&Num=5.7.10.> Accessed 23 October 2020.

[3] “Our History”, Aboriginal Medical Service, 2020. <https://amsredfern.org.au/>. Accessed 23 October 2020.

Constitution Education Fund Australia: Telling a Good Story of the History of the Australian Constitution

For my history project, I am working with Constitution Education Fund Australia (CEFA), which is a not-for-profit organisation that aims to increase public understanding and awareness of the constitutional framework of Australia.  More specifically, the focus of CEFA is to create teaching and learning resources to educate students about processes of government, the history of the Constitution and its contemporary relevance.

One of the most notable achievements of CEFA was the establishment of the Australian Constitution Centre through its collaboration with the High Court of Australia. Other successful programs include annual Governor-General Prize Essay Competition, CEFA’s Constitutional Forum and school parliament program. The work of CEFA interests me because I realised that many pre-service history teachers, including myself, have limited knowledge about the Australian Constitution and how to teach it. Yet, knowledge about the Constitution is extremely important to students in empowering them to get involved in civics activities in the communities and becoming informed and active citizens.  

A screenshot of the offical website of CEFA, displaying the main achievements of CEFA

During my first meeting with the research director and chief executive officer of CEFA, I was informed that the primary goal of CEFA at the current stage is to create fifteen interactive lessons about the Australian Constitution and its six underlying principles. The main challenge that CEFA is faced with is selecting the most relevant and core content that students need to learn about in such a dense topic, and then creating resources and lessons around it that are meaningful and interactive. After knowing my background as a third-year history student and also a pre-service history teacher who is interested in technology integration in history, they expressed their interests in having me help CEFA create an educational video for Year 9 students about the history of the Australian Constitution, its contemporary relevance, and the operation of Australia’s federal system of government.  

The rich history of stale beer: Shoal Bay Country Club

There is something magical about the pub. Somehow the sweating condensation of the glass, the stale smell of spilt beer and the buzz of chatter all merge together to create an atmosphere that feels homely to all. Across the humble pub table there have been plenty of friendships forged, plans hatched and memories made. And as a result, pub walls have no doubt bore witness to some of the critical moments of history. Whether it be the Great Depression, the World Wars or even more recently the COVID-19 pandemic, pubs have played a pivotal role in linking the experiences of locals with the history of the international. To view this first hand, one need look no further than the Shoal Bay Country Club which is a restaurant, bar, cafe and live music space situated on the shores of Shoal Bay.

Miscellaneous photos of SBCC found at the site.

The venue was bought by new owners in 2016 and underwent major renovations that saw the weathered old pub transformed into the now dreamy ‘Watson’s Bay’ inspired space. For locals, it’s the watering hole and for tourists, it’s the chosen destination for afternoon drinks after a big day at the beach. Whilst originally a Fishing and Games Club, the site was transitioned to a pub in 1934 and has operated as such ever since. During this time it has been temporarily made the WWII headquarters for British and American troops, accidentally burnt down by a guest and more recently experienced extended closures due to the pandemic. Upon this framework hundreds of thousands of visitors have stepped through the Shoal Bay Country Clubs doors, bringing with each of them their own experiences that forge the other, just as important, local and personal history of the pub.

Yet all of this history is subject to be forgotten. New ownership and mass renovations have meant that one of the few historical archives- four large framed photos and accompanying historical descriptions of the SBCC- have been taken down and are currently collecting dust in the storeroom. The only written history at the moment is a two page summary of the previous owners of the pub which includes multiple wrong dates and limited information. Other odd bits and pieces were also thrown into this mix. One such item was a framed written poem from the parents and kids who stayed there over the 1978 holidays to the ‘entertainment manager’ named Rowley Jenkins. In their poem that thanked Mr Jenkins for “making sure we’re all contented” and “teaching us the Shoal Bay Shuffle”. Another was mounted advertisements for the SBCC that are written in a strange language that is not quite English but also not quite not. So what does all of this mean? What was the Shoal Bay Shuffle? Who is the audience of the strange language? It is questions like these that might be left unanswered if the history of the Shoal Bay Country Club is not properly addressed.

One of the advertisements. Whilst the titles are written in English, the fine print is (for me) unreadable. Was it a sample poster written in jibberish or a modified English language? Or is there an audience for this language?

My ‘History Beyond the Classroom’ project is a great opportunity to spend some time amongst these archives and create a written historical record of the pub which can be kept for future use or published on their website. I plan on also including a virtual interactive timeline which highlights the intersection of SBCC within international history. This project would be further complemented by conducting interviews with older locals, who might be able to clarify some of the more confusing elements of the archives.

Hornsby Historical Society – rediscovering local history

Tucked away behind the trees in Kenley Park sits the Hornsby Historical Society. Many residents of the Hornsby and surrounding areas are unfortunately unaware of the hidden gem which sits in their backyards, and the historical treasures and significance it holds. The society contains very thorough records of the local area and valuable information about a range of different topics, such as local buildings and families. It additionally contains a small museum, full of local artefacts, which is open on Tuesdays and often hosts tours for school students. The students are given the opportunity to step back in time, and be transported to a shopping stall, laundry and kitchen from the early 1900s. With real artefacts from the era and experienced staff, the museum provides a deep understanding to locals of how different the world was only a century ago. The society is home to many local artefacts and archives, and its members are constantly working on local history which is published by the society’s magazine ‘Local Colour’. Overall, the society plays a key role in the community through history as it holds important records which relate to local affairs and is extremely valuable to the local community.

Entrance to Hornsby Historical Society

During my trip to the museum and based on various phone calls and emails, I got acquainted with two key society members. Vice president Nathan Tilbury, who also works as Councillor for the Hornsby Shire Council, is an active local history member and has written publications on local history such as ‘Man Made the City but God Made the Bush’. His position within the Hornsby Shire Council has been influential in the council’s involvement with local history. ‘Hornsby Shire Recollects’ is an online platform which displays over 4000 local archives, including photographs, documents and maps. The archives can be easily viewed by anyone on: https://hornsbyshire.recollect.net.au/. While the council has been actively engaged with displaying local history through an accessible platform, key society volunteer members such as Mari Metzke play a key role in gathering, organising and presenting artefacts and archives. Her former job as a teacher has also given her experience in working with children and makes her an exceptional guide for the museum during school tour groups at the Hornsby Historical Society. These two individuals are very passionate about history and are important members of the community and vital in recording history and making it accessible for locals.

I was impressed by the level of familiarity which I experienced when I visited the museum and read through some of the articles of ‘Local Colour’. As a history student, engagement with history – including photographs, documents and narratives – is something I am familiar with. However, experiencing local history with the guidance of local experts made history feel more intimate. I will be working with the society to write a publication on the history of local suburbs and will be working on Beecroft and Cheltenham. My work will be edited prior to being included in the publication. Being involved in this process is something I take very seriously, as it would be my first time being involved in written history work beyond the classroom. Additionally, having local ties with Beecroft and Cheltenham, an added dimension of familiarity will enhance my work. Supported by a dedicated team of historians on a topic which is intimately more familiar than previous academic work, I have high hopes for the outcome of the Major Project.

Arundel House: Looking Back and Looking Forward

On a family holiday in 1955, Rosie Pidgeon stumbled across the floral linocut (pictured below) in an Alice Springs art gallery.[1] The footnote read that it was created by Amie (Amy) Kingston from her window in the Girl’s Friendly Society (GFS) Hostel, 1933. Upon returning to Sydney, Rosie earnestly searched to obtain a copy, for ‘this linocut was [her] only connection to the GFS period’ – Arundel House was first called the GFS, then CENEF (Church of England National Emergency Fund) and now Arundel House. But after some time and numerous phone calls, it appeared that sadly there were no more original artworks.[2] Rosie told me this story when I asked her what she thought Arundel House’s mission is.

Geranium and St John’s, Glebe. Lino block print by Amie (Amy) Kingston, 1933.

This Christian residential college has been a home to young women for almost 100 years. Rosie (now retired) worked as both the Chair of the Arundel House Council and an administrative staff member for the college. I myself am an Arundel alumnus and lived at the college from 2017-2018.

I interviewed Rosie with the intention of building up a timeline of Arundel, beginning in 1920, and felt she dodged my question about Arundel’s mission; this story has nothing to do with mission and vision, I thought. Through some dusty archive digging and further conversations with alumni, however, I have come to realise that Rosie’s response actually reveals the very heart of Arundel’s mission: community.

A house becomes a Home:

For most girls that come to Arundel, they are only living under its roof for a very short time – on average, two to three years. Yet Rosie’s response captures the type of community that Arundel builds; it spans geographical terrains and across time but remains a community nonetheless by the shared experience of living, growing and sharing faith at Arundel. When a girl joins the house, she is not only provided a bed and a meal but she is given a lifelong community. This is particularly significant as many of the girls that join the house come from rural homes and have thus become disconnected from their childhood communities.

Ageing well:

In 2021, Arundel will be celebrating its centenary. The current Director, Mel Hanger, is in the early stages of building an alumni database with the hope of rekindling and strengthening the community that Arundel is. My initial work with Mel, my discussions with alumni and my own personal experiences, have grown in me a deep curiosity to understand how and why the college has nurtured and grown young women across time. I am curious to know how shifts in broader society have influenced the way Arundel has thought about its mission: to what extent is Arundel’s mission today different or perhaps more important than previously, and how can Arundel continue this mission into the future?

My project will focus on these questions of mission through the lenses of community and legacy. I will be engaging orally with alumni to capture their stories and questions on this topic, with the aim of collating their voices into a webpage on which Arundel can launch its centenary.

During my time at Arundel, I never really took much notice of the copy of Kingston’s small, floral artwork displayed in the Front Lounge. Now this artwork has become, for me, a symbol of my part in something bigger. Time has seen significant change but the house has remained the constant that connects us girls. I hope that by joining Mel in Arundel’s database project, and re-connecting alumni to each other and the house, that other alumni may experience this same feeling of re-seeing something with a new understanding and appreciation. I am excited to commemorate the numerous ways Arundel has nurtured and grown young women, and to celebrate the unique community we create.


[1] Amie (Amy) Kingston, Geranium and St John’s, Glebe, Linoblock print on cream wove Japanese vellum paper, 1933, https://artsearch.nga.gov.au/detail.cfm?IRN=37610&PICTAUS=TRUE.

[2] Rosie Pidgeon, “Arundel House History,” interview by Louisa Davidson, 12 October 2020.

A trip down memory lane: Erskineville Public School

The organisation I have chosen to centre my project around is Erskineville Public School. After writing an email to the school, and then having a follow-up call, I was told the school was not interested. However, after speaking to Sophie, I was told it would be okay for me to create a project about the school without their contribution or direct engagement as I was an alumna of the school. Although I am disappointed that I won’t be able to volunteer and work directly with the school I am sure that my connections with past and present members of the school community will still allow me to create an engaging and worthwhile project. 

After speaking to family and friends in my local community of Erskineville, I understand there is a wealth of resources and historical archives available concerning the school and its history. Given the abundance of these resources, as well as the strength and resilience of the Erskineville community, I feel a multi-media video will best relay the important history of the school whilst simultaneously giving a voice to members of the local community.        

Founded in 1882, Erskineville Public School has a rich history. In particular, I would like to draw attention to the strength of the Erskineville community and their relationship to the school. In March 2001 (a few years prior to my enrolment) it was announced by the then education minister John Aquilina that the school would be closed. However, the Erskineville Public School Parents and Citizens Association (P&C) obtained Freedom of Information documents which revealed that a year earlier the NSW government was already planning to close the school (amongst others) and failed to officially notify parents. Over a year later, and after the closure process had “politicised average mums and dads into becoming activists” as the P&C’s president Jeni Mulvey put it, it was announced by the education minister at the time, John Watkins, that the school would remain open. Since the closure had been announced, the school’s enrolments had fallen to 29, seen in the above photo. However, as seen in the photo below, during my time there the number of school enrolments had risen dramatically and were continuing to do so. I would love to interview some of the students and parents who were part of the struggle to keep the school open and see how they viewed and view their experiences and relationship with the school’s history. I would also like to interview those who arrived after this historic moment and helped to strengthen the school community.                    

An article published in 2002 describing Erskineville Public School’s victory

The school underwent numerous landscape changes during my time there, including the creation of the garden amphitheatre and the rainbow serpent sculpture under the guidance of Tom Bass. It would be highly rewarding to interview those who helped implement these changes and whether they felt they were actively contributing to the school’s history. 

The Rainbow Serpent, which I any many of my fellow students helped build, under the guidance of sculptor Tom Bass. Image: https://www.tbsss.org.au/galleries/commissions/f1000028/

There are a few challenges I will have to overcome while undertaking this project. Firstly, I must pinpoint the parts of Erskineville Public School’s history which are the most important and relevant to both myself, and past and present members of the school community. I will also need to develop my skills in video and filmmaking, as this is an area, I have little practice in. However, I know previous history students have written about the software they used to create multimedia videos in their blog posts and so these will be an extremely valuable resource on which to draw on. Rather than benefiting the organisation as a whole, I believe this project will benefit the school’s community members on an individual, familial and/or relational level, allowing people to critically engage with history and what it means to them, their family and their friends.