Royal Prince Alfred Hospital Museum : A Niche Spot Near the University of Sydney

A little-known treasure lies in the bustling area around the University of Sydney: the Royal Prince Alfred (RPA) Hospital Museum. Despite its proximity to the university, many students and locals remain unaware of its existence. Open only from 10 a.m. to 2 p.m. on Wednesdays and Thursdays, this museum may be small, which comprises merely a corridor and a few rooms, but it is rich with the history of one of Australia’s most prominent hospitals. The RPA Hospital Museum has chronicled the history of Sydney’s healthcare system in terms of the artifacts from hospitals in the surrounding region, offering visitors a glimpse into the evolution of medical care.

The RPA Hospital was founded in 1882, and over its long history, it has seen transformative changes in healthcare practices and medical technologies. Therefore, displaying medical artifacts, documents, and photographs from over a century of service, the museum gives visitors an in-depth look at how the hospital has grown alongside the community it serves. It doesn’t just highlight technological progress but also reflects on societal changes, such as the shifting roles of medical professionals and the evolving perceptions of healthcare workers.

Among the many compelling exhibits in the museum, one that stands out is the story of nurse training and its evolution over the past century. A hundred years ago, nursing as a profession was vastly different from what it is today. Nurses were often regarded similarly to household workers or chefs, with no requirement for formal higher education. In fact, hospitals themselves provided training, as nurses’ primary responsibilities were focused on patients’ daily care and comfort rather than on medical tasks. However, as the demands of healthcare grew, nurses began taking on more and more responsibilities that had previously been reserved for doctors. This shift required nurses to gain a deeper understanding of medical practices, leading to nursing becoming a respected profession in its own right. This made nurses highly trained medical professionals who play an indispensable role in patient care.

Beyond the evolution of nursing, the museum also sheds light on the broader advancements in healthcare technology and institutional systems over the past 150 years, which is also what mental healthcare has come through. In the past, individuals suffering from mental illnesses were often isolated in asylums, where they were treated as criminals or societal outcasts. Mental health patients were misunderstood and ostracized, with little consideration for their human dignity. Today, society has made significant progress in understanding and treating mental health conditions. Patients are no longer viewed as dangers to society but as individuals who need care and support. This transformation is mirrored in the history of mental health services in the surrounding area, which played a pivotal role in changing attitudes toward mental illness in Sydney. For my incoming history project, I am going to delve deeper into this topic in the context of hospitals in the Sydney Local Health District. When did the mental healthcare services start to be neutralized? Who are the main drivers of these changes? What are the main factors that induce these changes? How did these emergencies perform compared to other regions in Australia, or even different countries?

Nurturing Growth and Empowering Futures: Glebe Centipede 

The power of community organisations to provide care for those who are struggling is immense, especially children. Centipede Out of School Hours Care (COOSHC) located within Glebe Public School plays an integral role in offering a safe and enjoyable haven every weekday morning and afternoon. Starting with just a gold coin donation in the mid 80’s, after-school care became formally organised under the Centipede name in 2012. Working in conjunction with the state government, Centipede is able to provide experiences many of the Glebe students wouldn’t normally get.  

“We aim to broaden our horizons to new experiences, learning opportunities and challenges”

– Centipede Website: Philosophy

Centipede also places a significant emphasis on their connection to the local Indigenous community, acting as an arm of support for organising events such as community BBQ’s and education sessions. With a proportionally high number of Indigenous families attending the centre, the week-to-week programming of activities include Dot Painting and Aboriginal sports. An emphasis on engagement as well as respect creates a sustainable and mature environment for the children which attend.

In this current day and age, primary school children are being loaded with activities both before and after school – whether it be sport, music, tutoring etc. As part of Centipede’s philosophy, it aims to provide a space where children can use their imagination and count on having the resources to learn and grow. Cooking, self-led art, free play and incursions create an environment which kids look forward to coming to before and after gruelling school days.

– Images Supplied by Centipede

Undertaking a project such as this, I hope to collate a collection of oral histories from a number of pivotal people in the organisation. In correspondence with coordinator Keryn Jaos, the brief is relatively open – in her own words “I am excited to see what you find”.

The website is suitable at current, but with the introduction of an “about us” or “our history” section with work collated in this project, the significance of the service will be promoted far more. Along with this, I hope to publish the content in a bulletin of the Glebe Society (a community newsletter) in order to seek further donations and support. Selfishly, its fascinating learning about the history of such a pivotal local organisation – but to think that maybe my work can help its financial viability, makes me more excited to do a thorough job.

An important feature of Centipede is its recognised status by the Australian Charities and Not-for-profits Commission. This means, that while fees are included, the service goes above and beyond to support disadvantaged children within the community. This may simply be in the form of subsidised attendance allowing parents to have more flexibility with work opportunities OR serving up to three meals a day for those who don’t receive it at home. Creating a space such as this which offers a wide array of services is integral in the function of the Glebe community.

The service counts on community organised fundraisers – often through the Glebe Society – as well as individual donations to keep providing these opportunities to kids in Glebe.

If you would like to donate, you can do so through this link:

https://www.acnc.gov.au/charity/charities/b15ece7b-39af-e811-a963-000d3ad244fd/profile

OR email the Brian, the treasurer at treasurer@centipede.org.au

“A small amount of money can go far to assist with the cost of a child’s before, after school and vacation care programs”

Chloe Groom – Glebe Society Bulletin 9, November 2023

Rental Rights in Focus: How the Tenants Union Supports Australians

As a young Australian it is a common experience to be showered with cheery sentiments like “your generation is screwed,” “good luck ever owning a getting your foot in the door,” or the more blunt, “you’ll never own a home.” With that reality settling in, you turn to the rental market, only to wonder how you’ll ever manage to survive there. You hear of friends whose leases were cancelled just weeks before renewal. Who endured the uncertainty of 6-month lease after 6-month lease, or, worse, rolling leases. Friends who for years have tolerated mould, broken appliances, chipped doorframes, pests, and dismissive real estate agents, because they fear that if they complain too much, eviction will follow.

Tenants News Issue 59

I’ve had my fair share of bad rental experiences: a house that flooded almost every time it rained; a landlord who believed ownership entitled them to barge in unannounced. Mould has destroyed more than one item of my clothing, thanks to a wall leak that had been ignored for years, hidden behind layers of chipped paint.

It was during one of these challenging times that I first encountered the Tenants Union. We weren’t informed until the day before that our rental’s roof would be replaced, and when the work began, fine dust filled our home. All we asked for was the bare minimum – an asbestos report to assure us that it was safe to breathe in our own home. The real estate agent claimed one existed but refused to provide it when we asked. In the midst of this ordeal, we were referred by a friend to the Tenants Union. Although my housemates and I ultimately didn’t need their direct assistance, just knowing they were there – ready to offer advice and advocate on our behalf – was a tremendous source of reassurance.

The Tenants Union have been there for renters, borders, lodgers, the owners of mobile homes, the sick, tired and elderly for 48 years. Throughout their history they have partaken in protests, supported rent-strikes, helped win legal battles, and proved proficient in the political manoeuvring needed to garner support for the passage of the Residential Tenancies Act 1987, updating the previous, (appallingly outdated), 1899 legislation.

Additionally, the Tenants Union is the cornerstone of the NSW Tenancy Advice and Advocacy Services (TAAS), which provide 15 generalist services and 4 specialist services focused on Indigenous and elderly tenants across the state. These services allow for tenants to receive free quality advice to help fight battles against dodgy real estate agents and greedy landlords.

Their history is one that is increasingly important in Australia; as generational wealth threatens to create unbreachable class boundaries, and stable living becomes a luxury to all but a few, their work towards fighting for the rights of tenants across NSW is both inspiring and energising, serving as a light in what can, at times, seem like a darkening world.

If you need assistance or advice on your rights as a renter, visit the Tenants Union of NSW at https://www.tenants.org.au/ .

Distant Music – The Hidden Heart and Craft of Sydney’s Pipe Organs

Across Sydney, high in the lofts of cathedrals and sequestered in suburban churches and school halls, lie hundreds of complex mechanical musical instruments. Some are silent and forgotten, and others thunder with music every day of the week.

The Sydney Town Hall Organ, the largest in the world when it was built in 1890, ‘with no expense spared’

The pipe organ doesn’t feature in the lives of many 21st-century Sydneysiders. What was once the herald of public occasions and celebrations, providing music for the joy of weddings, the grief of funerals, and weekly church worship in Sydney, is considered by many a vague curiosity from a bygone era. But for a select group, the organ is a cherished and time-consuming passion.

The Organ Music Society of Sydney has aimed to foster interest in these instruments and their music for almost 80 years. A mix of organists, musicians, and enthusiasts gather for regular recitals and organ ‘rambles’ (going from instrument to instrument in one sitting). They also organise competitions, advocate and fundraise for instruments in danger of loss, and publish a quarterly journal on the ‘organ world’ of Sydney.

What is a Pipe Organ?

Until the turn of the 20th Century, the pipe organ was considered the most mechanically complex machine ever built. Evolving from the Roman Hydraulus, an early keyboard instrument that operated on displacing air with water through a series of tuned pipes, the modern organ is a continuation of an ancient tradition. Most organs have more than one keyboard, which play multiple ‘sets’ of pipes that make different sounds. These different sounds are activated by pulling ‘stops’, creating a wide palette of timbres, from a soft flute to a whole orchestra. This is where we get the expression ‘pulling out all the stops’.

Some organs in Sydney have over 100 stops spread over five keyboards, producing a chest-shaking roar at ‘full organ’, and others only have a few stops, making a softer but still deeply moving and musical sound. Connecting a key to a pipe can involve complex electronics, magnets, valves, leather, bellows, and mechanical linkages that travel several metres, cross divides, and turn corners. Organ builders were at the forefront of mechanical engineering, creating intricate machines that filled entire rooms and weighed several tonnes.

The complex system of valves and tubing in a Pneumatically operated organ.

Organ Building Today

The Victorian organ-building industry in Sydney maintained stiff competition between large local firms and English builders, who leave behind instruments of every size and character. Today, only a handful of organ builders remain in Australia, and even less in Sydney. In partnership with the Organ Music Society of Sydney, I hope to document the work of these craftspeople in video, recording the rich skills handed down over centuries and promoting the work of the OMSS in popularising the organ. The clear passion and expertise held by the OMSS for this instrument will enrich an accessible, documentary-style introduction and record of the remaining Sydney organ builders.

Not being a portable instrument, the organ is a unique link between the aural and physical space they occupy. As history has shifted, the organ is a sound and a space that would be recognised by centuries of our forbears. Sydney’s organ builders are custodians of an immense tradition and skillset, and their dedication to preserving the organ for a new generation deserves recording and a wider interest.

A recording of the Sydney Town hall organ by City of Sydney Organist Titus Grenyer

Riding Develops Abilities

This is the motto that characterises the Riding for The Disabled Association in Ryde, Sydney.

First RDA centre: England, 1970.

In riding a horse, we borrow freedom.

HELEN THOMPSON WOLLEY

The Riding for the Disabled (RDA) is a remarkable organisation dedicated to enhancing the lives of people with disabilities through equestrian activities. Founded in the UK in 1969, the RDA has grown into a global movement, with centres across Australia. I have chosen to work with the local Ryde Centre (NSW), which stands out for its commitment to providing inclusive equestrian experiences, fostering both physical and emotional development for its participants.

Young rider at the Ryde centre, NSW.

Empowering Lives Through Equine Therapy
The core mission of the RDA is to promote the therapeutic benefits of horse riding, which can significantly improve balance, coordination, and confidence in individuals with various disabilities. The organisation offers riding lessons tailored to the unique needs of each rider, ensuring that everyone, regardless of abilities, can experience the joy of being on the saddle. Beyond riding, the RDA enhances life skills, teamwork, and social interaction, creating a holistic approach to therapy that empowers its riders. The Ryde centre does this through creating a safe environment and an inclusive sense of community that enriches lives.

I chose to work with this organisation as I am deeply passionate about their work. Growing up with horses, I know the enriching impact riding can have. I also have a personal connection to the RDA, as my family have been volunteers for many years. Even just volunteering three times with the centre in Ryde so far, I have witnessed the transformative effects of equine therapy. During my first visit, I was told a story that will stay with me forever. A young boy was riding a horse that wouldn’t move forward. The instructor encouraged him, saying, “Tell him to walk on.” With a quiet yet determined voice, the boy replied, “Walk on.” At that moment, his mother, standing at the side, burst into tears. When asked if she was alright, she replied, “that was the first time I heard my son’s voice.” This powerful moment exemplifies the profound impact that riding can have on individuals, further inspiring me to contribute to the RDA Ryde Centre, especially through a project that raises awareness and uniquely documents its wonderful history.

Ryde centre, NSW.

Upon discussing what I can do to help the organisation, we arrived at the idea of a promotional video that showcases the diverse activities and stories of the RDA Ryde Centre. The volunteers explained to me that many people do not know the centre exists so this project would help to spread awareness. This video could feature interviews with participants, volunteers, and instructors, sharing their experiences and the positive impacts of the RDA. I also intend to incorporate oral history into this project, capturing the voices of long-time volunteers and riders. This initiative would not only document personal experiences but also the history of the RDA Ryde Centre in a way that is widely accessible. By gathering these personal narratives, I could create an overview of the centre’s evolution, showcasing its commitment to serving the community for current and future generations. Ultimately, my goal is to create a project that not only promotes awareness of the RDA Ryde Centre but also documents its history in a way that has not been done before. By utilising visual technology, I can reach a wider audience, inspiring more people to engage with this vital organisation.

The RDA is not just about riding; it is about building confidence, independence, and creating lasting connections through the power of horses. As I embark on this project, I hope to honour the legacy of the RDA while highlighting the incredible work they do for individuals with disabilities.

https://rdaryde.org.au/
https://www.facebook.com/rdaryde/

More Than Just A Game: The Importance Of Community Building At My Local Netball Club

One of the first West Ryde Rovers Netball Teams. 1969.

At some point or another, every child dreams of being a famous singer… or an astronaut… or a film star. Well, as a girl, my biggest dream was to one day play professional netball for the NSW Swifts. A little unconventional, I know, but as an 8-year-old nothing could be better. So it goes that my Saturdays (and my parents’) were spent running around Meadowbank Park where I played for my local club, the West Ryde Rovers. 

West Ryde Rovers began its life in 1956 when Lester Waud travelled to the Olympic Games in Melbourne and watched Australia defeat Japan in the men’s football (soccer for those of you who may be confused). With co-founder, Perce Rouse, he coached two boys football teams in the Hornsby-Epping Association that same year. Of course, some credit must be given to Mavis, Lester’s wife, who helped to hand sew the first teams’ jerseys. 

It wasn’t until 1967 that Rovers’ first netball team emerged, although at the time the sport was known as ‘women’s basketball’. It went from strength to strength and by 1971, the West Ryde Rovers Netball Club had fourteen teams. I don’t know what was more impressive; the rapid development of teams in the netball club or the perms of the ladies who played in them! As of the 2024 season, the Rovers Netball Club has over 25 teams ranging from Under 6’s to Open Ages. As well as this, in 2015, Rovers was proud to introduce an All Abilities training program which aimed to encourage girls and women living with disability to participate in a team sport. Since then, the program has flourished and there are now three All Abilities teams in the Eastwood-Ryde competition. 

While I eventually grew out of my dream to play professional netball, the importance of West Ryde Rovers in my childhood has not been lost on me. More than this, I can now see the importance of the club to the development of my own community. Although West Ryde Rovers has come a long way from its humble beginnings in 1956, its evident that the values upon which the club was built are still at its core today. The club is primarily a community organisation and it relies purely on the hard work of volunteers to keep running. This is evident if you ever go down to Meadowbank Park on a Saturday morning where you will see an army of volunteers; there is Ruth coaching her team, and over there is Despina in the umpires room, and there is Karen making the rounds. Alongside them are the many more committee members as well as parents and friends who coach, manage, score and come to cheer on the teams. Nowhere will you see a greater show of community spirit and I believe that this is what makes Rovers’ history worth telling. I hope you’re as excited as I am to hear these amazing peoples’ stories!

A busy Saturday at Meadowbank Park. 2024. 

The Power of Community Netball

For as long as I can remember, a winter Saturday morning has only meant one thing: netball. Ever since primary school, my mum, my sisters and I have spent countless Saturdays down at our local netball association, where we play, coach, umpire, and, every so often, enjoy a bacon and egg roll from the community-run BBQ. It’s often an all-day, if not all-weekend, affair. As juniors, Mum and Dad would cart us all around Sydney for representative carnivals, and we’re now avid fans and members of our national league team, the NSW Swifts, and frequently head out to Olympic Park to watch their matches in person. Sometimes, I wonder what it would be like to have your weekends not taken up by the all-consuming force that is netball. But despite the commitment, there’s something about it that keeps us coming back every year.

For many girls and women across the country, their winter Saturday morning plans mimic mine. For decades, women and girls have flocked in droves to their local netball courts every weekend. Netball is Australia’s leading team sport for female participation, ranked only just behind AFL for overall participation across men and women. At its core, netball is a sport that was built for women, by women. In fact, Super Netball is the only professional league in Australia where the female code is the main event.

Perhaps that’s what makes the sport so special, and part of the reason I’m so passionate about it. It’s a sport where women have paved their own path, carving out a space for girls to thrive. And at the very heart of the sport is local associations. It’s here where a community is built, where friendships are made, and where the netball superstars of the future are born.

Community netball at Hills District Netball Association.

That’s why I have chosen to complete my public history project with Hills District Netball, my local association. Originally founded as the Hills District Women’s Basketball Association, it has been a thriving community organisation since 1968. Each year, HDNA runs a Winter Day competition which takes place every Saturday, as well as Spring and Summer Night competitions, which also involve mixed teams with both men and women. These competitions are run by a group of passionate and committed volunteers, some of whom have been involved in the association for decades. They’ve even had former players go on to become national league players, including Cath Cox, who played with HDNA and went on to captain the Australian Diamonds.

HDNA netballers in action.

Throughout my project with HDNA, I hope to use my passion for netball to delve into the association’s rich history. Having been a part of the association’s netball competitions for years, I’d love to give back to the organisation through using my knowledge and skills to create an engaging public history project. Along the way, I hope to uncover how HDNA has evolved over the years into the netball-loving community it is today.

The Sound of Sydney: FBI Radio’s 30-Year Legacy

In the age of streaming and podcasts, has video really killed the radio star? fbi 94.5FM, a community-led radio station based here in Eora/Sydney would suggest otherwise.

In 1995, as the Keating government sought to allocate the remaining radio licenses in Sydney, fbi Radio was established. After several years of test broadcasts, fbi finally gained its permanent, full-time license in 2003 and has been broadcasting ever since. Their aim was simple, but radical: to showcase the diverse music and cultural scene of Sydney with a focus on independent artists. This was made explicit in their policy to play 50% Australian music, with half of that from Sydney.

Over their 21 years of broadcasting, fbi’s impact had spanned beyond the radio waves. In showcasing local and international music talent, with a breadth that defies the constraints of commercial radio, fbi has been integral in keep alive a local music culture trammelled by lock-out laws and corporate interests. No artist, song, or genre is too obscure or ‘left-of-field’ for fbi and they not only showcase, but celebrate subaltern identities and experiences

The shows on fbi range from quintessential breakfast radio to in-depth explorations of subculture and specific music genres. This ranges from shows such Race Matters which involves in-depth storytelling and interviews to explore modern racial identity, to Mosaic which celebrates Middle Eastern, Asian, and African culture and music co-hosted by the University of Sydney’s very own Jonathan Chalouhi. One of their flagship shows, All the Best, is a nationally syndicated program which curates and showcases community submitted documentaries, stories, and interview, demonstrating their commitment to representing the local community – in every form it takes.  From the vast array of shows and content the station produces, at any rate, remains to have its finger on the pulse of Sydney’s culture.

Just some of the many photos taken in the infamous music library. Source: www.fbi.radio.

It is because of this that fbi is perhaps the ultimate organisation for a historical project. With thirty years in local scene, their importance spans beyond simply the local acts they have been integral in helping make ‘big’ (Flume, Julia Jacklin and Nina Las Vegas to name a few), but their continual support of the independent acts whose oeuvre may range from krautrock to Detroit house, ambient to grime. Not only is fbi’s local significance undeniable, but their capacity as a treasure trove of Sydney’s cultural history is an unmissable opportunity for a historian.

My work with fbi is centring on their mammoth CD archive of over 46,600 CD’s that they have acquired since their start in 1995. Anyone familiar with fbi will recognise their extensive shelves of CD’s, backdrop to many a photo op across their marketing and social media. This library is a physical manifestation of fbi’s almost thirty-year history. Accumulated over numerous music opens days (monthly events where the station invites local artists to hand in demos), personal collections, and demos from labels, this CD archive tells a story of the many lives of Sydney’s musical scene. By looking at the very history of this library, I hope to be able to help tell a story of the many lives that have walked through fbi’s doors, and the many lives its impacts beyond them.

‘Unlocking our past to free our future’: Kinchela Boys Home Aboriginal Corporation

I would like to acknowledge the Gadigal people of the Eora Nation, the traditional custodians of the land from which I am writing, and pay my respects to the Elders both past and present. I would also like to acknowledge the Dunghutti and other First Nations peoples of this country who were victims of the Australian Government policies that created the Stolen Generations.

To understand Kinchela Boys Home Aboriginal Corporation (KBHAC), one must first understand what Kinchela Boys Training Home (KBH) was, and its continuing impacts. KBH was built on the stolen land of the Dunghutti people, 20km north-east of Kempsey in New South Wales. This ‘home’ housed young Aboriginal boys who had been forcibly removed from their families by the NSW Government for almost 50 years (1924–1970). While at KBH, the boys, who received numbers instead of being referred to by their names, were stripped of their childhood and Aboriginality, enduring a forcible assimilation project.

The nature of KBH makes this site a place of deep importance for survivors, their families and the community, with the site and the memories of survivors acting as a historical record of destructive policies implemented by the Australian Government, and also an opportunity for the education of Australians today. If you would like hear more about KBH, I would recommend the video created by KBHAC for NAIDOC Week 2022 called We Were Just Little Boys, narrated by KBH survivors and illustrated by Uncle Richard Campbell, #28.

KBHAC emerged from the survivors KBH as a way to help with the restoration and reconstruction of the ‘identity, dignity and integrity of survivors.’ Another of the key aims of this organisation is to address the impacts of intergenerational trauma that is experienced by the families and descendants of the survivors of KBH. This mission becomes clear in the motto of the organisation:

‘Unlocking our past to free our future’

As such, this organisation is incredibly active within its community, striving to achieve positive outcomes, evident in the numerous programs and services offered by KBHAC such as: Kin Connect, Connecting Abilities, Redress Support Service and Education Programs. If you would like to hear more about the work done by KBHAC please visit their website and/or their social media pages.

Finally, I would like to mention that October of this year marks 100 years since the gates of KBH were opened. As such, from the 18th-19th October, KBHAC invites KBH survivors, their descendants and families to honour the spirits of the children at KBH and to celebrate the past, present and future of KBHAC. I feel privileged that I will be able to volunteer at this event, and if you would like to offer your own form of assistance, you can donate here, or volunteer by emailing 100kbh@kbhac.org.au.

Glebe’s Hidden Gem: Where Second-Hand Treasures Build First-Class Community Bonds

Conversation and community spirit transform The Glebe Community Op Shop from a humble corner store on 133 Glebe Street into the beating heart of Glebe. Connections fostered between residents within its four walls spread outward, running through the alleys and arteries of the neighbourhood in a network of trust and compassion, touching the lives of everyone around.  Friendly faces pass through the doors like clockwork, followed by a medley of greetings like “Lovely to see you again” and “How was your vacation last week?” that echo throughout the small, intimate space. On my first trip to the store, known affectionately as “The Oppy”, I was struck by this camaraderie as it was what I had hoped to find here as an exchange student living alone in a foreign country for the first time. Back home in Singapore, third places are on the decline as the ever-persistent threat of development looms over these humble, communal spaces. Having found a second home in second-hand stores for half a decade, the Oppy felt like a warm hug and a welcome home, reminding me of the same community spirit (or “kampung spirit” as Singaporeans call it) I felt in the neighbourhood thrift stores I frequented in Singapore. The natural affinity I felt for the cosy space and friendly people drew me to work with them for this project. 

Outside the Glebe Community Op Shop (photograph taken by me).

Known as Glebe’s “hidden gem”, The Oppy is a not-for-profit shop brimming with preloved treasures including clothes, accessories, bric-a-brac, and homeware. Eco-conscious shoppers get the chance to help reduce landfills in style, and bargain hunters can look forward to finding cheap steals too. The shop is run by long-time Glebe resident Heather Murphy and a team of volunteers. Things may only cost a few dollars at The Oppy, but their generosity is priceless. The shop channels its profits back into the community and collaborates with local organisations to support others in need, such as Rainbow Lodge, a residential support program for men to transition back into the community following a period of incarceration. Through GAPP1, clothing vouchers are given to these men so they can shop for free. Beyond Glebe, the shop has also positively impacted the international community. Heather has also contributed to funding the Kitchen Starter Pack Project, which provides essential cooking and eating equipment for those moving from temporary accommodation to self-contained housing, like those leaving Rainbow Lodge. Beyond Glebe, the shop has also positively impacted the international community. Boxes of clothing weighing up to 100kg have been sent from the shop to orphanages in the Philippines and Nepal, and even as part of disaster relief in the wake of floods in Sri Lanka. 

133 Glebe Street in the 1970s, when it was still a butchery. (Image taken from the Bernard and Kate Smith Glebe Photographs series on the City of Sydney Archives database.)

133 Glebe Street. The Op Shop is located on the ground floor. (Image taken from The Glebe Society Bulletin, credited to Jude Paul. )


The Oppy has been operating for 40 years, but this tradition of serving the community has long been tied to the site’s history. For a century before The Oppy, the building was home to a butchers’ shop, a family-run business that was one of only 27 commercial buildings serving residents living in 723 properties. Beyond the building itself, the suburb derives its name from the Latin ‘glaeba’ meaning a clod of earth because it was designated for use by the church. The Oppy has passed through the hands of the church, previously managed by Julie Breckenreg, former Hope Street and subsequently Heart of Glebe pastor and now by Heather, from The Glebe Christian Life Community. While profits are collected for the benefit of the Glebe community rather than the church now, the same mission of goodwill continues to ripple through time till today through the good work of the Glebe Community Op Shop.